The op art movement was an optiacal – allusion movement which manipulates colours and the use of black and white. The most known arts at the time were black and white, but i will be focusing on colour. The movement first started in 1964 when Times magazine used the term ‘op art’ to describe pieces of art in a show called Optical Paintings at the Martha Jackson Gallery, by Julian StancZak.
The concept of this art was to make a design that mimics movement, flashes or an illusion (due to how the colours work and contrasting rather than the art being a moving film).Although this is when the movement was first named, it was not the first time optical illusion was brought into art. For example ‘ zebras ‘ by Victor Vasarely in 1938 and more.
Colour started to ne developed in OP art around the beginning of 1965 when a handful of artists started to experiment with colours more within the op movement styles. While researching I came across Riley Bridget who was an artist who worked closely with this movement, both in colour and black and white.
The link above is a video about Riley Bridget and her work over time. This clip talks about how she developed her work and process of understanding painting. Although at first she only used black and white to understand their relationship, she then slowly started integrating colour into the works. By adding colour slowly she really reset how she thinks about painting and colour in relation to movement and human vision.
From her works, have thought more on the idea of how I can develop my use of colours within art, to establish an understanding in how I can use colour effectuality and Beneficially for my work. weather to by adding colour after the print or during will have to be explored and found out with the art itself.
I wanted to try this optical illusion in my work but first in a way that is different to these artists and use some of my prints to create a new print. So l am going to be cutting up and manipulate a print i have printed this year but designed last year. (All done in 2021)
The top photos are my original prints, to create the illusion look I played around with how they look and how people will view them. I feel I could really develop on this and I want to try and use one of my big collagraphs to make a collage, my thoughts are to use bubble wrap and experiment with it.
I’m not so keen on the colour with this piece but it was an experiment so i don’t mind I can just explore more with this. I feel with colour, want to print colour on top of colour to create an effect, more that adding colour afterwards.